JenG sez, "NBC4 offers a few great pictures of Columbus College of Art & Design students playing with this interactive 8-bit mural. The mural depicts classic moments from Super Mario Bros., positioned without Mario or Luigi so passers-by can hop into level 1-1."
Quiznos's food photographers and stylists are apparently some kind of latter-day sorcerers, judging from the ad-versus-reality photos of their "Baja Chicken Sandwich" product, as snapped by Sarah, a Consumerist reader.
Consumerist reader SteveDave has dug up a pair of 1990s-vintage Wendy's training videos explaining how to serve beverages. They're masterpieces of shitty, squirm-worthy industrial video, especially the insincerely rapped "cold beverages" short (they should have just licensed the kick ass G Love and Special Sauce song). Looking at the Submitterator queue, I see that Cassandra found this one last week, too -- thanks, Cassandra!
Our friends at Biomega designed this cool-looking cargo bike for Puma.
PUMA Mopion is rock steady for the daily grind. It mixes city bike features, and cargo bike features, making it a sturdy companion. It comes with a super-size innovative front carrier for heavy duty transport of your groceries or other needs. Developed for city dwellers, Mopion features a light aluminum frame, making it a one-of-a-kind lightweight cargo bike weighing only 22 kilos. The geometry holds the body in a slightly inclined, but still heads-up position for navigational ease and exceptional balancing.
Here's a mesmerizing three-minute tutorial on cutting erratic "organic" gears that spin freely despite their odd shapes. After watching it, I was left wondering how you'd make a third (and fourth, and fifth) gear that could mesh with the system without repeating the earlier gear forms, to create an enormous, improbable Rube Goldberg display.
A German TV programme showed hackers from the Chaos Computer Club using off-the-shelf equipment to extract personal information from the government's new "secure" ID card, which stores scans of fingerprints and a six-digit PIN that can be used to sign official documents and declarations.
In an interview with the show, Interior Minister Thomas de Maizière said he saw no immediate reason to act on the alleged security issue.
Meanwhile on Tuesday the Federal Office for Information Security (BSI) rejected the Plusminus' criticism of the new ID card. The agency's personal identification expert Jens Bender said the card was secure and called the combination of an integrated chip with a PIN number a "significant security improvement compared to today's standard process of user name and password."
But a classic Trojan horse program that logs keystrokes remained a threat, he admitted, because users must use keyboards in addition to the scanners.
Boing Boing has mentioned us at the West Chester Guerilla Drive-In a couple of times now (here and here). We show 16-millimeter movies at secret locations that match the film, projected from the sidecar of my 1977 BMW motorcycle. In order to find out where and when the movies will be, folks must find the MacGuffin -- an AM transmitter hidden in a waterproof Pelican case.
This year, we raised the bar on the quest. The MacGuffin is hidden in public. In order to finish the quest, folks must memorize and recite Percy Shelley's "Ozymandias", the most metal poem ever written. Some of the folks present will know what is going on, but they will not let on that they know until the recitation is complete. And the reciter can't half-ass it, either. Unless they chew the scenery, unless they really SELL the bombastic majesty of the lone and level sands, the judges won't reveal themselves, and you won't even be sure that you're reciting in the right place.
To demonstrate a proper recitation, I asked Hunter Davis to do a reading. Hunter is the fellow who did the "Fresh Prince of Bel-Air" in the voice of Sir Ian McKellen. Here's the result, setting the bar for all our MacGuffin quest-ers. You must be at least THIS METAL when reciting the poem!
Fluid Forms is a 3D printing and laser-cutting company that produces a wide range of objects based on maps, satellite images, and other photos. They started off with topographical maps of physical places printed in sterling silver with pinbacks, and now they've expanded their repertoire. The new offerings include necklaces with steel charms based on your photos, or maps (inexplicably, these are marketed as "necklaces for men," though I can't imagine why they're not unisex -- the same charms are also available as earrings) and acrylic/wood clocks with finely cut lines reproducing streetmaps.
I love the idea of using "emotionally significant" places as motifs for jewelry and other decorative items. On the 3D printing side, it's a clever way of giving everyone a ready-made, personally important 3D mesh to use as the basis for an object.
Mad Men's Ken Cosgrove and Harry Crane stumble upon a MacBook Pro about 40 years before its time. What did the web look like in 1965? From a terrific Rolling Stone gallery of behind-the-scenes Mad Men photos by James Minchin III.
My latest Locus Magazine column, "Proprietary Interest," talks about the way that our instinctive ownership claims over the stuff we find and post to the Internet do more harm than good. When we claim that public domain images, interesting links, or other net-fodder are "ours," we invite a muddle in which others make even more compelling ownership claims. For example, if the old public-domain Lysol ad you scan is "yours," then why shouldn't it be Lysol's?. This is a world in which we spend all our time arguing about whose interest is most legitimate, instead of sharing, discussing, criticizing and enjoying the world around us.
Any ethical claim to ownership over a scan of a public domain work should be treated with utmost suspicion, not least because of all the people with stronger claims than the scanner! To be consistent with the ethical principle that one should never use another's work without permission (regardless of the law or the public domain), every scanner would have a duty to ask, at the very least, the corporations whose products are advertised in these old chestnuts (the very best of them are for brands that persist to today, since these vividly illustrate the way that our world has changed - for example, see the very frank Lysol douche ad). For if scanning a work confers an ownership interest, then surely paying for the ad's production offers an even more compelling claim!
And the publishers of the magazines and the newspapers - to scan is one thing, but what about the firm that paid to physically print the edition that we make the scan from? And then there are the copywriters and illustrators and their heirs - if scanning an ad confers a proprietary interest, then surely creating the ad should give rise to an even greater claim?
We do acknowledge these claims, at least a little. A good archivist notes the source. A good critic notes the creator. But that is the extent of the claim's legitimacy. If we afford descendants and publishers and printers and commissioners their own little pocket of customary right-of-refusal over their works, we would eliminate the ability to keep these works alive in our culture. For these owed courtesies multiply geometrically - think of the challenge of getting all of Dickens' or Twains' far-flung heirs to grant permission to do anything with their ancestors' works. What a lopsided world it would be if ten seconds' scanner work with the public domain demanded 100 hours' correspondence and permission-begging to be ''polite!''
TipEx (a Commonwealth analogue for Wite-Out and other correction-tape products) has an ingenious and engaging YouTube marketing campaign: a video called "NSFW: A hunter shoots a bear," branches off into a kind of video-text-adventure, where you are invited to type verbs into a box and see what the bear and the hunter do with one another (you can get funny results out of "fuck," of course, and also "gets high with" and "dances" -- I'm sure there's more). It's a kind of next-generation Subservient Chicken, and the (no doubt blisteringly expensive) creative reworking of YouTube's familiar user-interface makes it even more click-trancey than its forebears.
Maya Pedal is a Guatemalan NGO that works with international volunteers and local experts to remanufacture old bicycles to serve as "people-powered farm machines." The dozens of "Bicimaquina" designs include bike-powered washing machines, blenders, grain mills, water irrigation devices and animal-feed mills.
Up to ten volunteers from around the world take up residency in San Andreas Itzapas each year for several weeks at a time. Based on bicycle parts contributed by their partner organizations around the world, they work with Mr. Marroquin and his staff to produce between five and ten bicimaquinas a month, and up to fifty over the course of a year. Roughly half the working time at Maya Pedal is devoted building these machines, and the remainder is directed to an extensive bicycle maintenance program for the residents of the city. The bicimaquinas are sold locally for the cost of manufacturing. Several family-run businesses have developed from the bicimaquinas program including a shop that grinds different grains for customers, and a building contractor that uses a bicycle-powered concrete compaction machine at construction sites in the region.
The U.S. has plans for a manned visit to Mars by the mid-2030s. The ESA and Russia have sketched out a similar joint mission, and it is claimed that China's space program has the same objective. Apart from their destination, all these plans share something in common: extraordinary danger for the explorers. What happens if someone dies out there, months away from Earth?
It turns out there are more free tickets available for the special Boing Boing screening of CATFISH in Los Angeles on Wednesday, September 8. Grab one while you can!
Here's the trailer for the AMC series based on the fantastic, long-running comic book series about a zombie apocalypse, The Walking Dead. It premieres on Halloween night!
Bad news: Facebook simultaneously became sentient and figured out that zombies are popular. Would you like to become a Fan of Facebook devouring your brains?
Andrea James is a Los Angeles-based writer and troublemaker.
Functional magnetic resonance imaging (fMRI) is making its way into the public consciousness. The film Salt has an interrogation scene where a spy spills some secrets while a scientist looks at his brain scan. After a quick glance, the scientist casually says with absolute certainty, "He's telling the truth."
As with any new technology, there's a lot of potential for good, but there's also a lot of potential for pseudoscience and bad science. Remember those kooky Canadians who've used "fruit machines" and peter meters to catch people lying about being gay and what-not? Now they are moving north of the groin and firing up fMRIs. They're already making questionable claims and writing grant proposals based on what parts of the brain "light up" when people view certain stimuli. Lies, thoughtcrimes, and precrime (offense prevention) are all on the list of things they claim fMRI will divulge if taxpayers will just fund their research.
It's the same concept behind privately-held ventures like No Lie MRI in San Diego, which, for a cool $5,000, will administer a "truth-verification" session. Though this Orwellian evidence has so far been successfully deemed inadmissible in US courts under the Daubert Standard, people are still trying to use it. Reporter Mark Harris got tested to see if he is a liar and presented his troubling experiences in the most recent IEEE Spectrum.
A homeless man having a hot tub soak at a suburban Portland home allegedly called 911 requesting "a hug and a warm cup of hot chocolate with marshmallows in it." Police arrested him for criminal trespassing and unnecessarily calling 911. I really hope they brought him the cocoa though. From AP News:
Beaverton police say Mark Eskelsen called 911 from his cell phone, identified himself as "the sheriff of Washington County," and asked for medical help. He later admitted he wasn't the sheriff but informed the dispatcher he'd been "yelling for about an hour and a half."
The man said in his Sunday morning call that he'd been in the water about 10 hours and his towels had gotten wet.
Mat Mets of Make: Online visited a great science store in Kansas City called HMS Beagle.
While in town for the Kansas City Mini Maker Faire, we had the chance to visit the HMS Beagle, which is a gem of a science store located in nearby Parkville. Started by John and Carol Kuhns, they stock an impressive range of geeky equipment, from telescopes to model rockets, rock tumblers, and Arduinos. In addition, they also host science club meetings, star gazing parties, fossil digs, and other fun-sounding activities. If that isn't enough, they are also the home of Make: KC, an enthusiast group for Makers that meets in their shop on Tuesdays.
I subscribed to the Internet Archive's RSS feed for noir films. This movie, called Two Dollar Bettor, looks good!
Bank controller John Hewitt is a much-respected member of the community. One afternoon he is persuaded to make a small two-dollar bet at the racetrack and collects a couple of hundred dollars when his horse wins. Such a return-on-investment intrigues him and he begins to frequent the track and making larger bets. After a short period of winning, he hits a losing streak and his savings are soon wiped out. He then starts to take money from the bank and is soon thousands of stolen-dollars behind. Mary Slate, secretary of his bookmaker, advises him that the bookmaker has a sure thing, and if he will liberate $20,000 or so from the bank, he can get in on it and solve all his problems.
Manjaro makes short documentaries about people around the world who work with monkeys and apes. You can watch them on Vimeo. The series is entitled Monkey Business. (Via Arbroath)
This tombstone was shipped from Jamaica to Cincinnati, where US Customs and Border Protection at the Cincinnati Northern Kentucky International Airport discovered it was filled with 50 pounds of marijuana.
Officers questioned last week why someone would ship a tombstone from Kingston, Jamaica, to London. An X-ray machine revealed packages of the drug in a metal box, wrapped in metal mesh and hidden inside the hollowed-out concrete marker.
The stone bears the name of 35-year-old Delroy Senior. Part of its inscription reads, "your place no one can fill."
Designer Art Donovan has a lovely line of handmade steampunk lighting that he sells direct (inquire within, as they say). No idea how they're priced, but they sure are purdy.
Copyfighting banjo-picker Patrick Costello has a new book of free/open banjo tunes: Songs for Sunday: "In this book you will find a selection of hymns, country gospel and even some blues
songs arranged for frailing banjo. The arrangements presented here blend melody and
rhythm so that you can sing along with the banjo and still be able to knock out a solo
once in a while. The accompanying DVD contains video workshops where I walk you
through each song." (Thanks, Patrick, via Submitterator!)
— Cory • Comments: 4
Recently, Nina "Sita Sings the Blues" Paley and I conducted a protected email exchange debating the merits of the Creative Commons "noncommerical" licenses (like those used on my novels and here at Boing Boing). It was an instructive and sometimes productive debate, and Nina's edited the thread and posted it.
Here's my perspective: the purpose of any cultural policy or regulation
should be to encourage a diversity of both participation and works (that
is: more people making art, and more kinds of art being made).
ISTM that your assertion amounts to: "Whatever forms of participation
that come into existence as a result of the capitalization opportunities
that accrue in an exclusive rights regime, they are dwarfed by the works
that lurk in potentia should such a regime perish."
IOW: we unequivocally get *some* participation in culture as a result of
exclusive rights regimes, some of which would not exist except for
exclusive rights. You believe that if this regime and the works that
depend on it was to vanish, the new works that would come into existence
as a result would offset the losses.
I don't know how either assertion could be tested. We both have
firsthand experience of both modes of creativity -- I know of works that
wouldn't have been capitalized absent the higher returns expected in the
presence of exclusive rights; I also know of works that could only have
been made in their absence.
David Ng (Twitter) is a science literacy academic based at the Michael Smith Laboratories at the University of British Columbia. He is currently on sabbatical at London’s Natural History Museum, and encourages you to check out the PHYLO project.
So far, it's been a very interesting experience in the month and a bit into my sabbatical at London's Natural History Museum. First off, there was that element of giddiness: coming back to an iconic institution that takes me back to my time as a kid in awe of dinosaurs, blue whales and all the sparkly stuff in the mineral exhibits. Next came, a weird sort of pride - like as if being in the museum's great hall, looking up at the beautiful ceiling, and standing in between a Diplodoccus skeleton and a statue of Darwin, made me feel privileged to be a scientist. I felt as if I was in the best-club-ever: one that carried on the work of so many pioneers whose efforts are housed in this museum. But then a strange feeling of discomfort settled in. This was because the science that goes on here, by and large, is quite foreign to the medically genetic driven projects of my own background. In other words, the bench tops here do not always require pipettemans and overpriced electronics. However, after having had the privilege of meeting some lovely people at the museum and viewing a few of these collections, I've come to really appreciate the importance of biological curation.
1. The collections serve as the physical and open portal to specimens needed for biodiversity research.
David Ng (Twitter) is a science literacy academic based at the Michael Smith Laboratories at the University of British Columbia. He is currently on sabbatical at London’s Natural History Museum, and encourages you to check out the PHYLO project.
In the sought-after London boroughs of Chelsea and Islington, inner city birds often have to claim their nesting space quickly! However, birds that are open to changing their wild ways might be convinced to try out the innovative bird-housing concept developed by the artists at London Fieldworks. The "Spontaneous City in the Tree of Heaven" opened recently as part of the Secret Garden Project by UP Projectsand hopes to develop into a haven of biodiversity and create a new public awareness of the ecological and cultural value of urban green spaces. (via Inhabitat)
These look very pretty, although I am curious as to how they fare when the tree moves or when it grows.
As an added layer of biodiversity speak, there's a bit of irony in the title of the project. Turns out the "Tree of Heaven" or Ailanthus altissima is actually a tree species of much botanical interest in London, and elsewhere in England generally. Essentially, a lot of folks are quite concerned that this ornamental turn invasive species is poised to rocket in numbers. It's one of the fastest growing trees around, it's allelopathic (meaning it produces a chemical that inhibits the growth or other plants), and its seed production capabilities are almost unmatched. In fact, the female tree is capable of producing upwards of 30,000 seeds per kilogram of tree! That would be akin to a small tree as heavy as me (at about 160 pounds), being able to produce 2.2 million seeds!
Why is this tree a particular interest these days? Well, over the years, climate has been steadily getting warmer and sunnier in England, and given that the Tree of Heaven is shade-intolerant, the extra sunlight is possibly giving the opportunistic tree the small push needed to expand greatly in numbers.
Anyway, perhaps this means more places for the birds to live?
Michael sez, "The Merry Cemetery is a cemetery in north-east Romania (the Moldovan region). I visited it with my wife and parents-in-law this summer. nstead of a sombre and sad approach to death the Merry Cemetery celebrates life with colourful painted oak 'headstones' engraved with a picture and story of the life of the deceased."
Undergrads at the University of Colorado sent a NASA satellite to its fiery demise on August 30th. But don't worry. They are not in trouble. In fact, they were specifically tasked with the job of decommissioning the satellite—figuring out where and when to send it screaming through Earth's atmosphere so as to ensure that any leftover bits land someplace where they won't do much damage—as part of a class. An incredibly awesome class. — Maggie • Comments: 6
I'm with my friend and senior editor of bOING bOING (the zine) Gareth Branwyn and he is showing me funny videos posted by people who think the world is ruled by reptilian humanoid shapeshifters (basically, the nonsense that David Icke perpetuates). The videos show politicians and other powerful people's tongue flicks, hisses, strange head tilting, and membrane eyelids that move sideways.
Commentary from video above:
'HISSSING' at 1:35...HEAD TILT at 1:38...how many times have you seen a human tilt their head like a freakin animal?...look at her nose...it flatens an the nostrils are larger and farther apart...near complete morph...
Notice everyone, body language? She points to her face. The middle man tries to cover it up.... His voice tone gives it away. The Reptile even gives a Freudian Slip.... "the whole thing feeds on itself."...and are those the twin towers in the background?...more subliminal reptilan sh*t
Over at Make: Online Gareth Branwyn writes about the latest issue of Model Cars Magazine.
I've never been a "car guy," but it was really fun to go through the issue (from January 2010) and see what the car model kit industry and hobby are up to these days. As in other areas of modeling, specialty kits are big, vintage kit comebacks, impressive scratch building, and stunning levels of finishing and detailing of kits, are all in evidence.
In this issue, one of the articles I got the biggest kick out of was on the AMT Ford Levacar kit, a promo kit version of the late 1950s Ford concept car that was straight out of The Jetsons. The Levacar kit even levitated! It had plastic tubes that you blew into to raise the car. The model, packaging, everything is to die for. Here's the page about the Levacar kit from Fantastic Plastic.
The Mongoliad is live! This is the collaborative, participatory shared-world project from Neal Stephenson, Greg Bear, and pals. It's an epic fantasy novel about the Mongol conquest, told in installment form, with lots of supplementary material (video, stills, short fiction, etc), and a strong audience participation component in the form of a Wikipedia-style concordance, fanfic, etc. You can read the free samples without registration, but you need an account to edit the "Pedia."
For $5.99 you get a six-month subscription to the main body of fiction; $9.99 gets you a year (you retain access to the fiction after your subscription expires, but don't get any new material until you renew, which is a major plus in my view -- much fairer than most online "subscriptions" that lock you out once you let your sub lapse).
The first (paid) chapter went up yesterday, and I've just read it. The word here is epic, a swashbuckling swordplay novel with the sweep, charm and verve of the major Stephenson epics, such as System of the World. A very strong start and well worth the price of admission. This is a great experiment in new fiction business-models that welcome audience participation and work in a way that is native to the net.
These men were likely knights of the Shield Brethren--the ones she had been instructed to find.
If there was anything to their reputation, they would have responded within days to the Khan's
unlikely invitation. The Shield Brethren were scattered all about, but their closest branch was in
Petraathen, an ancient crag-fort in the mountains south of Kraków, just a few days journey from
here. Their instinct--the reverse of the Mongols--was to camp in the woods, and their scouts had
spied this old monastery, long since abandoned. To her, it had the look of a converted pagan
temple--perhaps Mithraic. Long ago, many of her people had been Mithraic. Now, it was an
impromptu chapter house, a sanctuary where they could wait and train, while they reconnoitered
the territory around the blood-soaked battlefield of Legnica and the great, stinking tent city that
Onghwe had built there.
A horseman emerged from behind the graveyard wall riding a big blue roan stallion. Cnán
flinched at the sight of a Mongol-style bow, striped and jointed like the leg of an insect, held out
in the man's hands. But this was no Mongol: his hair was brown, long and full, and below his
sharp nose drooped a luxuriant moustache. He pivoted his mount and galloped along the curve
of outbuildings, then pivoted again and rode back and forth through the grass. His apparently
aimless movements made no sense until she understood that he was practicing archery. When his
eye fell on something that looked like it might serve as a target, he loosed an arrow from the
bow, sometimes galloping past, sometimes away, or jerking his horse up short and shooting from
a standstill.
She did not know these knights other than by reputation, but she saw the rider as one who had
suffered under the power of the Mongols and had learned from them, adopting and adapting their
weapons.
United Airlines threw nine high-ranking Pakistani military officers off a Washington-Tampa flight on Sunday and turned them over to Dulles security, who detained and grilled the men. The officers were on a junket in the USA, and had been travelling extensively; one of them said words to the effect of, "I hope this is my last flight." This was interpreted as a terrorist threat by a flight attendant. Dulles security did not let the men contact their embassy or the US military officials who were hosting them.
The Pakistanis were finally released after police at Dulles determined they did not pose a threat. But instead of proceeding to Tampa, the delegation was ordered to return to Pakistan by their military superiors in Islamabad, in protest of their treatment, the Pakistani official said, adding that they were "verbally abused." The group of officers spent the next 48 hours in Washington, waiting for the next available flight home, and were scheduled to depart the United States on Tuesday evening.
The Pakistani officers were originally en route to U.S. Central Command headquarters in Tampa to attend the annual conference of the U.S.-Pakistan Military Consultative Committee, said Maj. David Nevers, a Central Command spokesman. He said Centcom officials hoped to reschedule the conference.
Dr. Silvia Knobloch-Westerwick (Ohio State) and Matthias Hastall, (Zeppelin University, Germany) have published an article in the Journal of Communication with their research showing that old people love to read stories about young people doing stupid things because it makes them feel better about being old. The study was conducted using 178 German adults aged 18 to 30 and 98 between 55 and 60. I have no idea if this is a valid statistical sample, but since it confirms my own feelings about old people, I will trust its results.
All the adults in the study were shown what they were led to believe was a test version of a new online news magazine. They were also given a limited time to look over either a negative and positive version of 10 pre-selected articles.
Each story was also paired with a photograph depicting someone of either the younger or the older age group.
The researchers found that older people were more likely to choose to read negative articles about those younger than themselves. They also tended to show less interest in articles about older people, whether negative or positive.
But younger people preferred to read positive articles about other young people.
A new proposed federal journalist shield law is under debate in the USA, which sounds like a great idea, except that the traditional press have agreed to amendments that would exempt Wikileaks from any protection for its confidential sources, on the grounds that Wikileaks isn't journalism (ORLY?).
More generally, Lucy Dalglish, executive director of the Reporters Committee, criticized WikiLeaks as "not journalism."
"It's data dissemination, and that worries me," she told Time magazine. "Journalists will go through a period of consultation before publishing sensitive material. WikiLeaks says it does the same thing. But traditional publishers can be held accountable. Aside from Julian Assange, no one knows who these people are."
Wait, what? You don't want to give confidential source protection to Wikileaks because Wikileaks has confidential sources? [Boggle].
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